Welcome to my Inner World. I am a French self-taught artist, and these past twenty years I have made Norway my home. Moving to the Lofoten islands was the greatest present I ever made to myself and the Arctic landscapes are indeed a true treat for any artist’s eyes. I live with my British soulmate,… Continue Reading
Often compared to Tolkien’s Middle-earth or Lewis’s Narnia, Ursula K. Le Guin’s Earthsea is a stunning fantasy world that grabs quickly at our hearts, pulling us deeply into its imaginary realms. Four books (A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, and Tehanu) tell the whole Earthsea cycle–a tale about a reckless, awkward boy named Sparrowhawk who becomes a wizard’s apprentice after the wizard reveals Sparrowhawk’s true name. The boy comes to realize that his fate may be far more important than he ever dreamed possible. Le Guin challenges her readers to think about the power of language, how in the act of naming the world around us we actually create that world. Teens, especially, will be inspired by the way Le Guin allows her characters to evolve and grow into their own powers.
In this first book, A Wizard of Earthsea readers will witness Sparrowhawk’s moving rite of passage–when he discovers his true name and becomes a young man. Great challenges await Sparrowhawk, including an almost deadly battle with a sinister creature, a monster that may be his own shadow. –This text refers to the Mass Market Paperback edition.
In the tales of World Fantasy Award-winning author Patricia McKillip, nothing is ever as it seems. A mirror is never just a mirror; a forest is never just a forest. Here, it is a place where a witch can hide in her house of bones and a prince can bargain with his heart…where good and evil entwine and wear each others’ faces… and where a bird with feathers of fire can quench the fiercest longing…
Taylor’s entertaining, if grisly, interpretative history turns the raw gleanings of two centuries of archaeology on their head. Referencing his own experience, as well as others’ documented discoveries, he expounds on the pervasiveness of such practices as funerary cannibalism, vampirism, and human sacrifice, and he poses the question, Which came first, the notion of the soul or the ceremonial burial of remains? His conclusions, as he acknowledges, may be somewhat unsettling. Caches of bones, pottery shards, and tools reveal only the most basic clues, and the majority of archaeologists, filtering those clues through their modern “visceral insulation” from things pertaining to death, are, by Taylor’s lights, unable to acknowledge how prevalent cannibalism and ritual sacrifice were and are. Furthermore, while widespread popular thought maintains that humans acquired belief in the soul first and then developed ritual burial, Taylor considers the reverse to be more accurate: the immortal soul was invented as a result of the first burial ceremonies. Taylor demonstrates, albeit in highly scholarly style, the value of postulating well-developed, opposing points of view. Donna Chavez
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‘I never would have thought that archaeology would be so interesting, so relevant to how we think today . . . and so disturbing. In The Buried Soul, Timothy Taylor tells a provocative and often grisly tale. This is a fascinating book, grippingly written, of considerable scope and ambition.’ -Paul Bloom, professor of psychology, Yale University
Of the various types of mythological literature, fairy tales are the simplest and purest expressions of the collective unconscious and thus offer the clearest understanding of the basic patterns of the human psyche. Every people or nation has its own way of experiencing this psychic reality, and so a study of the world’s fairy tales yields a wealth of insights into the archetypal experiences of humankind. Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from “Beauty and the Beast” to “The Robber Bridegroom.” Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration she presents a detailed examination of a simple Grimm’s tale, “The Three Feathers,” followed by a comprehensive discussion of motifs related to Jung’s concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.
About the Author
Marie-Louise von Franz (1915–1998) was the foremost student of C. G. Jung, with whom she worked closely from 1934 until his death in 1961. A founder of the C. G. Jung Institute of Zurich, she published widely on subjects including alchemy, dreams, fairy tales, personality types, and psychotherapy.