Welcome to my Inner World. I am a French self-taught artist, and these past twenty years I have made Norway my home. Moving to the Lofoten islands was the greatest present I ever made to myself and the Arctic landscapes are indeed a true treat for any artist’s eyes. I live with my British soulmate,… Continue Reading
Few books are more romantic than this trilogy, nor more surreal. Griffin Moss is a rather doleful, lonesome, gaunt, and haunted postcard designer in London. Sabine Strohem is an illustrator of stamps living on an island in the South Pacific. One day Griffin gets an extraordinary letter from Sabine revealing that she knows all kinds of things about his life and work–somehow, she can share his soul from afar. They start exchanging love letters, yet it remains an open question whether Griffin and Sabine are two hearts that mystically beat as one, or simply illusory. “You’re a figment of my imagination,” Griffin accuses Sabine. “You cannot turn me into a phantom because you are frightened,” Sabine replies. Phantom or soul mate, Sabine is pursued across the globe by Griffin in an increasingly impassioned fashion, and the mysteries deepen.
The legendarily popular trilogy of books containing the Griffin-Sabine correspondence literally contains the correspondence: postcards, front and back, and letters in envelopes pasted into the book, which the reader must open and read–a temptation few can resist. Nick Bantock’s story was way ahead of the computer game Myst, with which it shares a moody allure. Bantock designed hundreds of book covers (for Philip Roth, John Updike, and others) before he fled London for a lovely island off the west coast of Canada with his rather Sabine-like artist wife and became improbably famous by dreaming up this trilogy. His artwork is gorgeous, and countless romances have been intensified by exposure to that of Griffin and Sabine.
From Publishers Weekly
Starred Review. Accompanying a self-described demonologist in Philadelphia for a magazine story, London journalist and self-described skeptic Storr quickly came face to face with evidence he couldn’t dismiss-a close encounter with a poltergeist (“something had touched me, hard enough to launch me to my feet”) and a divination aficionado who may very well have been possessed. In the account that follows, Storr takes readers into some of the more disturbing and disturbed corners of modern ghost-hunting, whipping up a chilling, funny, thought-provoking page-turner. With great care and greater humor, Storr accompanies paranormal investigators famous and obscure, ghost hunting clubs and perplexed homeowners, taking time to research famous cases and discuss his findings with the experts, as well as the witnesses and victims of hauntings. The evidence he finds-from orbs of light that dance on-camera to spectral voices recorded on tape to seemingly possessed individuals-proves only slightly more fascinating than the folks who pursue it, a grand collection of kooks, swindlers, skeptics and true believers. Storr grapples mightily with the unknown, and though his consideration of the slippery nature of reality and the mystery of death is fascinating, it never overwhelms the narrative; indeed, Storr wisely gives the best lines to his subjects, recording them faithfully at their most profound (quoth one famous, long-practicing investigator, “I’m not sure what reality is anymore”) as well as their most nonsensical (a haunted house-sitter spends his time performing “experiments where I pretend I’m slapping someone,” in the hopes he’ll one day do the haunting). Covering an impressive range of modern ghostly phenomenon-including a hilarious visit to the popular British TV show Most Haunted-this is a fun, fascinating and at times frightening read for anyone with an interest in the supernatural.
A classic, originally published in 1954. Thomson sets out in search of Celtic seal legends among the people of Shetland, Orkney, the Hebrides and Western Ireland in this marvelous, unclassifiable book. Not exactly folklore nor a travel book, it mixes a collection of Thomson’s stories, observations and encounters with a meditation on the myth and meaning of the selkie.
His two previous novels, Every Dead Thing and Dark Hollow, were international bestsellers. Now the “compulsively readable” (Publishers Weekly) John Connolly confirms his position as one of our leading crime novelists with a story of superb menace and style. The body of Grace Peltier, a brilliant Ph.D. candidate, is found in the front seat of her car on a back road in northern Maine. No one wants to believe it was suicide – not her father, not former U.S. senator Jack Mercier, and not private detective Charlie Parker, who has been hired to investigate the young woman’s untimely death. But when a mass grave is accidentally discovered nearby, revealing the grim truth behind the disappearance of a religious community known as the Aroostook Baptists, Parker realizes that their deaths and the violent passing of Grace Peltier are part of the same mystery, one that has its roots in her family history and in the origins of the shadowy organization known as the Fellowship. Soon Parker is drawn into the dark world of this zealous religious group that has already consumed every person who has dared confront it. When a relic is discovered, one capable of linking the Fellowship to the slaughter of the Aroostook Baptists, Parker is forced into violent conflict with the Fellowship and its enigmatic leader. Haunted by the ghost of a small boy and tormented by the demonic killer known as Mr. Pudd, Parker is forced to fight for his lover, his friends…and his very soul. “This is a honeycomb world. It hides a hollow heart,” writes John Connolly. In The Killing Kind, he has once again created a world of love and hate, of tenderness and violence. Hailed by critics as “one of the best of the genre” (Toronto Sun), his intense, poetic prose and his terrifying clan of characters are sure to thrill even the most discerning suspense reader. “