Welcome to my Inner World. I am a French self-taught artist, and these past twenty years I have made Norway my home. Moving to the Lofoten islands was the greatest present I ever made to myself and the Arctic landscapes are indeed a true treat for any artist’s eyes. I live with my British soulmate,… Continue Reading
His two previous novels, Every Dead Thing and Dark Hollow, were international bestsellers. Now the “compulsively readable” (Publishers Weekly) John Connolly confirms his position as one of our leading crime novelists with a story of superb menace and style. The body of Grace Peltier, a brilliant Ph.D. candidate, is found in the front seat of her car on a back road in northern Maine. No one wants to believe it was suicide – not her father, not former U.S. senator Jack Mercier, and not private detective Charlie Parker, who has been hired to investigate the young woman’s untimely death. But when a mass grave is accidentally discovered nearby, revealing the grim truth behind the disappearance of a religious community known as the Aroostook Baptists, Parker realizes that their deaths and the violent passing of Grace Peltier are part of the same mystery, one that has its roots in her family history and in the origins of the shadowy organization known as the Fellowship. Soon Parker is drawn into the dark world of this zealous religious group that has already consumed every person who has dared confront it. When a relic is discovered, one capable of linking the Fellowship to the slaughter of the Aroostook Baptists, Parker is forced into violent conflict with the Fellowship and its enigmatic leader. Haunted by the ghost of a small boy and tormented by the demonic killer known as Mr. Pudd, Parker is forced to fight for his lover, his friends…and his very soul. “This is a honeycomb world. It hides a hollow heart,” writes John Connolly. In The Killing Kind, he has once again created a world of love and hate, of tenderness and violence. Hailed by critics as “one of the best of the genre” (Toronto Sun), his intense, poetic prose and his terrifying clan of characters are sure to thrill even the most discerning suspense reader. “
Nude Men, the author’s first novel, was described by Louis Malle as “hilarious, full of plot surprises, and completely original.” Double that and you have Amanda Filipacchi’s droll, fantastical, and much-awaited second novel. No one could anticipate Damon’s illegal act of generosity — encaging Anna Graham for nine months in an extraordinary vapor-filled house as repayment for saving his life. Through bizarre methods of discipline that only a madcap scientist such as Damon could concoct, he intends to fulfill her wish to become the best actress of our day. From this surreally screwball setup, Filipacchi spins an extravagant and zany parable of love and self-awareness, beginning with Amanda’s escape from this torturous improvement program.
When we first meet Susie Salmon, she is already in heaven. As she looks down from this strange new place, she tells us, in the fresh and spirited voice of a fourteen-year-old girl, a tale that is both haunting and full of hope. In the weeks following her death, Susie watches life on Earth continuing without her-her school friends trading rumors about her disappearance, her family holding out hope that she’ll be found, her killer trying to cover his tracks. As months pass without leads, Susie sees her parents’ marriage being contorted by loss, her sister hardening herself in an effort to stay strong, and her little brother trying to grasp the meaning of the word gone. And she explores the place called heaven. It looks a lot like her school playground, with the good kind of swing sets. There are counselors to help newcomers adjust and friends to room with. Everything she ever wanted appears as soon as she thinks of it-except the thing she most wants: to be back with the people she loved on Earth. With compassion, longing, and a growing understanding, Susie sees her loved ones pass through grief and begin to mend. Her father embarks on a risky quest to ensnare her killer. Her sister undertakes a feat of remarkable daring. And the boy Susie cared for moves on, only to find himself at the center of a miraculous event. The Lovely Bones is luminous and astonishing, a novel that builds out of grief the most hopeful of stories. In the hands of a brilliant new writer, this story of the worst thing a family can face is transformed into a suspenseful and even funny novel about love, memory, joy, heaven, and healing.
Perhaps she should have called it “Everything You Wanted to Know about Fairies, but Were Afraid to Ask.” This book covers every type of “little people” from abbey lubbers to Young Tam Lin. Not just the tiny, translucent winged pixies of popular art, but brownies, goblins and bogies, even larger creatures like dragons and mermaids. Exhaustive in its coverage, while still entertaining.