Welcome to my Inner World.
I am a French self-taught artist, and these past twenty years I have made Norway my home. Moving to the Lofoten islands was the greatest present I ever made to myself and the Arctic landscapes are indeed a true treat for any artist’s eyes. I live with my British soulmate, my sweet Papillon girls, Lucy and Pixie and the spirit of my border collie, Loki. My creativity is a tribute to the eyes that blink in the heart of every smallest thing, the flowing dreams whose pulse tries to reach to us in our most meditative state.
Kundry Land, February 2013
The mage Abhorsen is an “uncommon necromancer,” who, rather than raising the dead like others of the art, lays the dead back to rest or binds those that will not rest. Sabriel, his daughter, has been sent for her safety to boarding school outside the Old Kingdom, where she is in her last year when she receives her father’s sword and necromancy tools, which means that Abhorsen is either dead or trapped in the realm of Death. Determined to find her father, Sabriel enters the Old Kingdom, which is under attack from the minions of Kerrigor, an evil being who once was human. There, with the aid of Mogget, a Free Magic elemental who is bound in feline form to be the servant of Abhorsen, and Touchstone, a young man whose past harbors a terrible secret, Sabriel goes up against Dead spirits, Shadow Hands, gore crows, and the like, in a desperate quest to find her father’s body and fetch his spirit back from Death. Nix has created an ingenious, icy world in the throes of chaos as Kerrigor works to destroy the Charter that binds all things for the good of the land and its inhabitants. The action charges along at a gallop, imbued with an encompassing sense of looming disaster. Sabriel, who entered the Old Kingdom lacking much of the knowledge she needs, proves to be a stalwart heroine, who, in the end, finds and accepts her destiny. A page-turner for sure, this intricate tale compares favorably with Philip Pullman’s The Golden Compass and will surely appeal to the same audience. Sally Estes —