Welcome to my Inner World. I am a French self-taught artist, and these past twenty years I have made Norway my home. Moving to the Lofoten islands was the greatest present I ever made to myself and the Arctic landscapes are indeed a true treat for any artist’s eyes. I live with my British soulmate,… Continue Reading
From Library Journal
This delightful modern fairy tale blends myth and magic with intolerance and hysteria to deliver the message: don’t mess with a witch. Single mom and do-it-yourself witch Pippa Rede works in a trendy shop, lives with her disapproving great-aunt, and nurtures her beloved nine-year-old daughter, Winterbelle. When voices in the village raise cries about ritualized abuse (escalated to QROST, quasi-ritualized occultic sexual traumatization), Pippa loses first Winterbelle (to the authorities), then her job and home. With a small band of supporters?a civil libertarian lawyer, a witch friend, an elfin boy, a representative from Witches Against Negativity and Discrimination, an elderly woman, and a gentleman who goes on duty two weeks a year as a werewolf?Pippa prevails, calling on her inner resources and beliefs and emerging a stronger witch and woman than ever. Grant (Tex and Molly in the Afterlife, LJ 9/15/96) has a wonderful, witty feminist fable here, suffused with the supernatural yet grounded in morality. Highly recommended.?
Driving away ghosts
For years, Old Gregory has been the Spook for the county, ridding the local villages of evil. Now his time is coming to an end. But who will take over for him? Twenty-nine apprentices have tried–some floundered, some fled, some failed to stay alive.
Only Thomas Ward is left. He’s the last hope; the last apprentice.
Can Thomas succeed? Will he learn the difference between a benign witch and a malevolent one? Does the Spook’s warning against girls with pointy shoes include Alice? And what will happen if Thomas accidentally frees Mother Malkin, the most evil witch in the county … ?
An upper-class woman, recovering from a suicide attempt, visits the women’s ward of Millbank prison as part of her rehabilitation. There she meets Selina, an enigmatic spiritualist-and becomes drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina’s freedom, and her own.
“Unfolds sinuously and ominously…a powerful plot-twister. The book is multidimensional: a naturalistic look at Victorian society; a truly suspenseful tale of terror; and a piece of elegant, thinly veiled erotica.” (USA Today)
“Gothic tale, psychological study, puzzle narrative-Sarah Waters’ second novel is all of these wrapped into one, served up to superbly suspenseful and hypnotic effect.” (The Seattle Times)